Phase is measured in degrees (0–360°). Two identical signals at 0° phase difference sum perfectly (+6 dB). At 180° (completely out of phase), they cancel completely (−∞ dB, silence). At intermediate phase shifts, they partially cancel with a comb-filter effect.
Phase issues arise from: multi-mic recordings (two mics capturing the same source at different distances), stereo widening effects (which manipulate phase to create width), and room acoustics (reflections arriving at different times). The polarity invert (phase flip) switch on interfaces and DAWs flips the signal 180° — useful for checking and correcting phase relationships.